Artists Space‘s elegant retrospective of the too-little-known Cuban artist Zilia Sánchez is mesmerizing.
Her paintings have regularly taken on a modular character, comprised of two or more abutting parts. This seriality has become a cornerstone of Sánchez’s work: she continues to rework and add to Volume Pills paintings begun as early as the 1970s, considering each work to be a part of a larger whole. Alongside the sensual and haptic “queering” of a hard-edged minimalism, her multi-part works bear relation to the temporal and semiotic sequencing of musical notation, as well as to the architecture of tropical modernism.
The show is on view until June 16.