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Robert Macfarlane, “The Old Ways”

Between the appearance of my last post and this one, I have traveled from New York to London. I browse bookstores everywhere I visit, but doing so in England offers a special thrill: the ability to purchase (English-language) books not yet published in the United States. In advance of this trip, I’ve had my eye on one in particular: travel writer Robert Macfarlane’s The Old Ways: A Journey on Foot. Here is a description of it from Penguin, the book’s publisher:

In The Old Ways Robert Macfarlane sets off from his Cambridge home to follow the ancient tracks, holloways, drove-roads and sea paths that form part of a vast network of routes criss-crossing the British

landscape and its waters, and connecting them to the continents beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, of pilgrimage and ritual, and of songlines and their singers. Above all this is a book about people and place: about walking as a reconnoitre inwards, and the subtle ways in which we are shaped by the landscapes through which we move.

Macfarlane is a talented writer, and this book has attracted much attention: an interview-slash-profile in The Guardian; a review by eminent travel writer Jan Morris in The Telegraph; an audio interview with the author on the website of The Economist. I plan to pick it up at Daunt Books in Marylebone, one of my favorite stores in this invigorating city.

World’s 20 Best Surf Towns: Nosara!

Surfers on Playa Guiones

Nosara has been named one of the 20 best surf towns by National Geographic!

“Jack Goldstein X 10,000”

Jack Goldstein, Untitled, 1983, acrylic and spray paint on canvas.

Until September 9 at OCMA:

This exhibition is the first American retrospective of Jack Goldstein (1945–2003), a central figure in Postmodernist discourse of the 1970s and 1980s. Goldstein’s oeuvre developed over the years in an unusual breadth of media, from sculpture, performance, and film, to photography, records of sound effects, paintings, and aphorisms. The exhibition includes two immersive installations, 20 of Goldstein’s films produced from 1971 to 1983, a representative selection of 22 paintings demonstrating their thematic breadth, and a selection of 18 records with listening stations. The exhibition concludes with Goldstein’s Aphorisms (1982), Totems (1988–90), and other selected writings produced between 1982 and 2002. 10,000 x Jack Goldstein is accompanied by a 250-page, fully illustrated catalogue that includes an artist’s project by James Welling, and texts by Philipp Kaiser, Douglas Crimp, John Kelsey, Alexander Dumbadze, and Meg Cranston. Given Goldstein’s legacy and his increasing relevance to younger artists, a retrospective of his work is long overdue and essential to the larger re-evaluation of post-1960s American art. The exhibition will tour nationally.

Jack Goldstein x 10,000 is organized by the Orange County Museum of Art with guest curator Philipp Kaiser.

Reclaiming Travel

As I prepare for back-to-back international trips, I have been reading about travel. Here, writers Ilan Stevens and Joshua Ellison consider what it means to leave one’s surroundings:

George Steiner wrote that “human beings need to learn to be each other’s guests on this small planet.” We usually focus on the ethical imperative of hospitality, on the obligation to be a generous host. When we travel, though, we are asking for hospitality. There’s great vulnerability in this. It also requires considerable strength. To be a good guest — like being a good host — one needs to be secure in one’s own premises: where you stand, who you are. This means we tend to romanticize travel as a lonely pursuit. In fact, a much deeper virtue arises from the demands it makes on us as social beings.

Travel is a search for meaning, not only in our own lives, but also in the lives of others. The humility required for genuine travel is exactly what is missing from its opposite extreme, tourism.
To read the rest, click here.

The “Busy” Trap

The writer and artist Tim Kreider recently published an essay in the New York Times on being “busy.” As the scare quotes suggest, he believes we make ourselves seem busy, and that our compulsion to do so is rather needless:

If you live in America in the 21st century you’ve probably had to listen to a lot of people tell you how busy they are. It’s become the default response when you ask anyone how they’re doing: “Busy!” “So busy.” “Crazy busy.” It is, pretty obviously, a boast disguised as a complaint. And the stock response is a kind of congratulation: “That’s a good problem to have,” or “Better than the opposite.”

Notice it isn’t generally people pulling back-to-back shifts in the I.C.U. or commuting by bus to three minimum-wage jobs  who tell you how busy they are; what those people are is not busy buttired. Exhausted. Dead on their feet. It’s almost always people whose lamented busyness is purely self-imposed: work and obligations they’ve taken on voluntarily, classes and activities they’ve “encouraged” their kids to participate in. They’re busy because of their own ambition or drive or anxiety, because they’re addicted to busyness and dread what they might have to face in its absence.

[…]

The present hysteria is not a necessary or inevitable condition of life; it’s something we’ve chosen, if only by our acquiescence to it.

To read the rest, click here.

Rineke Dijkstra

A nice retrospective of this Dutch artist’s portraits at the Guggenheim in NYC until October 8. (more…)

Human Nature

If you’ve always wanted to check out Jason deCaires Taylor‘s mesmerizing underwater sculptures but haven’t made it to The Museum of Underwater Modern Art in Mexico, you’re in luck. Starting tomorrow, you can see his work at the Jonathan Levine Gallery in New York from June 30 until July 28, 2012. The show includes a new range of limited edition prints, sculptures and the premier of his latest film.

Chris Johanson, Encinitas Realization

This is my first movie. It’s a self-help film about individuality and what individuals pick and choose from society and culture to make our uniqueness. Although there is some tongue in cheek humor energy in the film, it is none the less about issues that I think are very serious and more than humorous.

—Chris Johanson